Abba Schoengold (also
Shoengold,
Shongold, or
Sheingold) was a
Romanian Jewish actor in the early years of
Yiddish theater, the first person to score a serious reputation a dramatic actor in
Yiddish.
Biography
A singer in the
synagogue choir of the leading synagogue in
Bucharest,
Romania, Schoengold had also performed in a quartet with
Sigmund Mogulesko, playing at weddings and parties. He failed an audition in 1877 for
Abraham Goldfaden's nascent Yiddish theater company (which Mogulesko joined). Within a year, he had joined the troupe of playwright
Moses Halevy-Hurvitz, which toured through rural Romania and eventually to
Chişinău, where his performance supposedly inspired
David Kessler's interest in theater. He then travelled on his own to
Odessa,
Ukraine.
In 1882, at the Mariinsky Theater in Odessa, he scored a triumph in the first Yiddish-language production of
Karl Gutzkow's
Uriel Acosta.
Jacob Adler writes that at this time he was "the god of the Yiddish public, the god, indeed, of all who saw him on stage... the handsomest man in the world. Tall. Blue eyes. Golden hair. An
Apollo." Adler also writes that he had "a mania for adding to his costume... a plume, a feather, a cape, a scarf, ... medals".
With his wife Clara Schoengold, he followed much of the Yiddish theater community to
London in the mid-1880s and thence to
New York City. Their son
Joseph married Adler's daughter
Frances in New York in 1911; both went on to be leading lights of the...
Read More