is a Hindustani classical raga
. It's the most commonly performed raga of the large Bilawal group
, which mainly includes ragas based on the western major scale
. It is often simply referred to as Bilawal, although in the 17<sup>th</sup> century Alhaiya and Bilawal may have been separate ragas.
Writing about the musical theory of Indian classical music is fraught with complications. First of all, there have been no set, formal methods of written notation. Indian music is an aural
tradition, and therefore writing is not an essential part of attaining talim
Arohana & Avarohana
<br />S <sup>G</sup>R G P <sup>N</sup>D N S'Avarohana
S' <sup>N</sup>D n D P M G <sup>M</sup>R S
Vadi & Samavadi
Pakad or Chalan
Organization & Relationships
Related ragas: Bilawal
, Shuddha Bilawal
, Devgiri Bilawal
, Shukla Bilawal
, Kakubh BilawalThaat
Behavior refers to practical aspects of the music. It is complicated to talk about this for Hindustani music since many of the concepts are fluid, changing, or archaic. The following information cannot be accurate,
but it can attempt to reflect how the music existed.
Morning, around 9AM-12NOON.
Certain ragas have seasonal associations.