Berlin: Symphony of a Metropolis

Berlin: Symphony Of A Metropolis

Film
Film Less

Berlin: Symphony of a Metropolis

to get instant updates about 'Berlin: Symphony Of A Metropolis' on your MyPage. Meet other similar minded people. Its Free!

X 

All Updates


Description:
Berlin: Symphony of a Metropolis (German: Berlin: Die Sinfonie der GroƟstadt) is a 1927 German film directed by Walter Ruttmann, co-written by Carl Mayer and Karl Freund.

The film is an example of the city symphony genre. A musical score for an orchestra to accompany the silent film was written by Edmund Meisel. As a "city symphony" film, it portrays the life of a city, mainly through visual impressions in a semi-documentary style, without the narrative content of more mainstream films, though the sequencing of events can imply a kind of loose theme or impression of the city's daily life.

Other noted examples of the genre include Charles Sheeler and Paul Strand's Manhatta (1921), Alberto Cavalcanti's Rien que les heures (1926), Andre Sauvage's Etudes sur Paris (1928), and Dziga Vertov's Man With a Movie Camera (1929).

This film represented a sort of break from Ruttmann's earlier "Absolute films" which were abstract. Some of Vertov's earlier films have been cited as influential on Ruttmann's approach to this film, and it seems the filmmakers mutually inspired one another, as there exist many parallels between this film and the later ManWith a Movie Camera.

The film displays the filmmaker's knowledge of Soviet montage theory. Some socialist political sympathies, or identification with the underclass can be inferred from a few of the edits in the film, though critics have suggested that either Ruttmann avoided a strong position, or else...
Read More

No feeds found

All
wait Posting your question. Please wait!...


About

Film
No messages found
Tell your friends >
about this page
 Create a new Page
for companies, colleges, celebrities or anything you like.Get updates on MyPage.
Create a new Page
 Find your friends
  Find friends on MyPage from