In the late 1960s Saar began collecting images of Aunt Jemima, Uncle Tom, Little Black Sambo, and other stereotyped African American figures from folk culture and advertising. She incorporated them into collages and assemblages, transforming them into statements of political and social protest. In the 1970s Saar shifted focus again, exploring ritual and tribal objects from Africa as well as items from African American folk traditions. In new boxed assemblages, she combined shamanistic tribal fetishes with... Read More