Claudio Maria Veggio (b. c. 1510) was an
Italian composer of the
Renaissance, principally of
secular music.
He was born in
Piacenza, and must have spent most of his life there. Little is known about his life except for a brief period during the 1540s, when he was employed as a composer and
harpsichordist for Count
Federico Anguissola of Piacenza, at the
Castell'Arquato. After this period of activity he vanishes from history; nothing further is known about him.
Veggio was an early composer of
madrigal, of which two books have survived, published in
Venice in 1540 (the first to formally feature
note nere under the name
misura breve) and 1544, for four and eight voices respectively. He was also a prolific
keyboard composer of
ricercars which alternate
contrapuntal and highly ornamented passages. Stylistically they represent an intermediate stage between the early keyboard style of
Marco Antonio Cavazzoni and the style of his son
Girolamo Cavazzoni, who composed
ricercars in the more modern sense of the word — i.e., as a series of
imitative sections.
Of greatest significance to
musicologist is a manuscript by Veggio which survived in the archives of Castell'Arquato. It appears to be a rough copy of his draft compositions, containing numerous sketches, strikeouts and revisions; it is one of the earliest such music manuscripts to survive, and provides a rare window into compositional procedures of the time. Many of the compositions are transcriptions for keyboard of vocal...
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