He composes for acoustic instruments, electronic sound sources, multimedia, including dance and theatre. He bases his technical and theoretical compositional approach in research of cognitive psycho-acoustic behavioral patterns in humans and the behavior of sound in relationship to continued environmental changes. His socio-cultural interests have led him to research the survival of music in the 21st century and the impact that media and technology have on the composer.
His Impilo (2000-2001), which means life, uses field recordings and tries to capture both commercial media and wild-life. These natural sounds were then mixed together with electronic media to combine two extreme fields of sound. The composer said that "I tried to create a warm, natural environment in which the listener is surrounded in everyday life." Voudouris added that this analysis of sound has allowed him to discover man and his environment, no matter how technical and complex it may be. "The energy flowing through both animate and inanimate... Read More