George Segal (November 26, 1924 – June 9, 2000) was an
American painter and
sculptor associated with the
Pop Art movement. He was presented with a
National Medal of Arts in 1999.
Works
Although Segal started his art career as a painter, his best known works are cast lifesize figures and the
tableaux the figures inhabited. In place of traditional
casting techniques, Segal pioneered the use of
plaster bandages (plaster-impregnated gauze strips designed for making
orthopedic casts) as a sculptural medium. In this process, he first wrapped a model with bandages in sections, then removed the hardened forms and put them back together with more plaster to form a hollow shell. These forms were not used as molds; the shell itself became the final sculpture, including the rough texture of the bandages. Initially, Segal kept the sculptures stark white, but a few years later he began painting them, usually in bright
monochrome colors. Eventually he started having the final forms cast in bronze, sometimes
patinated white to resemble the original plaster.
Segal's figures had minimal color and detail, which gave them a ghostly,
melancholic appearance. In larger works, one or more figures were placed in anonymous, typically urban environments such as a street corner, bus, or diner. In contrast to the figures, the environments were built using
found object. An example of this work is the sculpture,
Chance Meeting, which sold in 2001 for US $600,000. It was one of his highest selling...
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