Hiro Narita,
A.S.C. a Japanese American cinematographer, was born June 26, 1941 in
Seoul,
South Korea.
In 1945, he and his family moved to Nara,
Japan, and later on to
Tokyo. Following his father's early death and his mother's remarriage to a
Japanese American, he immigrated in 1957 to
Honolulu,
Hawaii where he graduated from
Kaimuki High School. He went on to the
San Francisco Art Institute from which he received a BFA in
Graphic Design in 1964. He quickly landed a good position at a prominent local design firm, but the job lasted barely six months before he was drafted into the U.S. Army. For two years, he served as a designer and photographer at the Pentagon.
An avid movie fan since childhood, Narita decided to go into filmmaking rather than go back into graphic design upon his return to San Francisco in the mid-sixties. After an internship with
John Korty and
Victor J. Kemper on the
Michael Ritchie movie
The Candidate in 1971, he photographed the
television movie Farewell to Manzanar in 1975, for which he received an
Emmy Award nomination.
In 1976 he was one of the camera operators on
Martin Scorsese's documentary
The Last Waltz about the last concert of
The Band. Later he worked on projects like
Apocalypse Now,
More American Graffiti, and the
Neil Young documentary
Rust Never Sleeps. For his cinematography on the movie
Never Cry Wolf he won...
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