Michael Mohun (1616?—buried 11 October 1684) was a leading British actor both before and after the 1642—60 closing of the theatres.
Mohun began his stage career as a
boy player filling female roles; he was part of
Christopher Beeston's theatrical establishment at the
Cockpit Theatre, "eventually becoming a key member of
Queen Henrietta's Men."
For the period from 1642 to 1659, Mohun was an officer in military units loyal to the
House of Stuart; he served in England, Ireland, and the Low Countries, and rose to the rank of major. He was seriously wounded at
Dublin, and was a prisoner of war for two extended periods.
At the end of the
English Interregnum, Mohun was one of the men —
George Jolly and
John Rhodes were others — who attempted to re-start dramatic performance. In 1659 Mohun performed with other pre-
Commonwealth actors in an unlicensed troupe at the
Red Bull Theatre. As the manager of the troupe, Mohun came to an agreement with the
Master of the Revels to pay fees for the privilege of performing; but eventually, like Jolly and Rhodes, he was out-manoeuvered by
Thomas Killigrew and Sir
William Davenant. After a complex power struggle for the two company
patents issued by
Charles II at the
Restoration of the monarchy, Mohun became a full sharer in Killigrew's
King's......
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