Pie Jesu is a
motet derived from the final couplet of the
Dies irae and often included in musical settings of the
Requiem Mass. The settings of the Requiem Mass by
Luigi Cherubini,
Gabriel Fauré,
Maurice Duruflé,
John Rutter,
Karl Jenkins and
Fredrik Sixten include a
Pie Jesu as an independent movement. Of all these, by far the best known is the
Pie Jesu from
Fauré's Requiem;
Camille Saint-Saëns said of it, "just as
Mozart's is the only
Ave verum corpus, this is the only
Pie Jesu".
Steinberg, Michael. "Gabriel Fauré: Requiem, Op. 48."
Choral Masterworks: A Listener's Guide. Oxford: Oxford University Press, 2005, 131–137.
Text
The original text, derived from the
Dies irae sequence, is as follows:
Pie (the
vocative of the word
pius) is conventionally translated as "sweet", but normally means "dutiful", "godly", "faithful", or "kind".
Requiem (
accusative of
requies) is often translated as "peace", although that would be
pacem, as in "
Dona nobis pacem" ("Give us peace"). A more faithful translation of
requiem would be "rest", as in "Requiem aeternam dona eis" ("Grant them eternal rest"). At the end is the word
sempiternam ("sempiternal", a graded expression of
aeternam, "eternal"), making it to
dona eis requiem sempiternam ("grant them sempiternal rest").
The......
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