Yoko Ono/Plastic Ono Band

Yoko Ono/Plastic Ono Band is the avant-garde debut album by Yoko Ono, which came after recording three experimental releases with John Lennon and a live album as a member of the Plastic Ono Band. With the exception of one track (recorded with Ornette Coleman), the entire album emerged from one raw and cacophonous freeform session when, improvising throughout, Ono develops and pushes to extremes her characteristic trademark, a strained vocal style derived from Japanese hetai, a vocal technique used in Kabuki performances. This was also the third Plastic Ono Band album.

It was recorded simultaneously with her husband's John Lennon/Plastic Ono Band at Ascot Sound Studios and Abbey Road Studios using the same musicians and production team.

Initially on Apple Records, through EMI, Yoko Ono/Plastic Ono Band was released to considerable critical disdain in 1970, at a time when Ono was being widely blamed for the break-up of The Beatles. Notable exceptions were the estimations of Billboard who called it 'visionary' and critic Lester Bangs who supported it in Rolling Stone. More recently, the album has been credited (like those of The Velvet Underground) with having an influence, particularly on musicians, grossly disproportionate to its sales and visibility. Critic David Browne of Entertainment Weekly has credited the album with "launching a hundred or more female alternative rockers, like Kate Pierson of the B-52s to current thrashers like L7 and Courtney Love of Hole."

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